Profile Photo
About
"Non basta avere uno Stradivari per essere un buon sassofonista." (F. Felli)
Brindisi di fine lavori in 21+tavolo e sedie nella pancia del cavallo del Vittoriano.

Brindisi di fine lavori in 21+tavolo e sedie nella pancia del cavallo del Vittoriano.


Real-life Grave of the Fireflies: (Photo) Stoic Japanese orphan, standing at attention having brought his dead younger brother to a cremation pyre, Nagasaki, by Joe O’Donnell 1945
This photograph was taken by an American photojournalist, Joe O’Donnell, in Nagasaki in 1945.
He recently spoke to a Japanese interviewer about this picture:
“I saw a boy about ten years old walking by. He was carrying a baby on his back. In those days in Japan, we often saw children playing with their little brothers or sisters on their backs, but this boy was clearly different. I could see that he had come to this place for a serious reason. He was wearing no shoes. His face was hard. The little head was tipped back as if the baby were fast asleep.
“The boy stood there for five or ten minutes. The men in white masks walked over to him and quietly began to take off the rope that was holding the baby. That is when I saw that the baby was already dead. The men held the body by the hands and feet and placed it on the fire.
“The boy stood there straight without moving, watching the flames. He was biting his lower lip so hard that it shone with blood. The flame burned low like the sun going down. The boy turned around and walked silently away.”


Ieri ho visto Una tomba per le lucciole ed è stato un macello, poi ho trovato questa cosa, e allora ciao proprio.

Real-life Grave of the Fireflies: (Photo) Stoic Japanese orphan, standing at attention having brought his dead younger brother to a cremation pyre, Nagasaki, by Joe O’Donnell 1945

This photograph was taken by an American photojournalist, Joe O’Donnell, in Nagasaki in 1945.

He recently spoke to a Japanese interviewer about this picture:

“I saw a boy about ten years old walking by. He was carrying a baby on his back. In those days in Japan, we often saw children playing with their little brothers or sisters on their backs, but this boy was clearly different. I could see that he had come to this place for a serious reason. He was wearing no shoes. His face was hard. The little head was tipped back as if the baby were fast asleep.

“The boy stood there for five or ten minutes. The men in white masks walked over to him and quietly began to take off the rope that was holding the baby. That is when I saw that the baby was already dead. The men held the body by the hands and feet and placed it on the fire.

“The boy stood there straight without moving, watching the flames. He was biting his lower lip so hard that it shone with blood. The flame burned low like the sun going down. The boy turned around and walked silently away.”

Ieri ho visto Una tomba per le lucciole ed è stato un macello, poi ho trovato questa cosa, e allora ciao proprio.

(Fonte: acegasm, via rclinkdump)

Opera sconosciuta di Chagall rubata dai Nazisti prima o durante la Seconda Guerra Mondiale.
Unknown Chagall work plundered by Nazis before or during World War II.

Opera sconosciuta di Chagall rubata dai Nazisti prima o durante la Seconda Guerra Mondiale.

Unknown Chagall work plundered by Nazis before or during World War II.

Awol Erizku - La ragazza con l’orecchino di bambù (2009)
Awol Erizku - Girl with a bamboo earring (2009)

Awol Erizku - La ragazza con l’orecchino di bambù (2009)

Awol Erizku - Girl with a bamboo earring (2009)

Tifosi del Besiktas, Galatasaray e Fenerbahce in protesta a Istanbul.
Supporters of Besiktas, Galatasaray and Fenerbahce demonstrate in Istanbul.

Tifosi del Besiktas, Galatasaray e Fenerbahce in protesta a Istanbul.

Supporters of Besiktas, Galatasaray and Fenerbahce demonstrate in Istanbul.

Mamihlapinatapai: Alook shared by two people, each wishing that the other will offer something that they both desire but are unwilling to suggest or offer themselves.
Mamihlapinatapai: Guardarsi reciprocamente negli occhi sperando che l’altra persona faccia qualcosa che entrambi desiderano ardentemente, ma che nessuno dei due vuole fare per primo.
 

Mamihlapinatapai: Alook shared by two people, each wishing that the other will offer something that they both desire but are unwilling to suggest or offer themselves.

Mamihlapinatapai: Guardarsi reciprocamente negli occhi sperando che l’altra persona faccia qualcosa che entrambi desiderano ardentemente, ma che nessuno dei due vuole fare per primo.

 

Wes Anderson and Roman Coppola for Prada

Wes Anderson and Roman Coppola for Prada

Gian Lorenzo Bernini - ‘Il ratto di Proserpina’, particolare (‘The rape of Proserpina’, detail).

Gian Lorenzo Bernini - ‘Il ratto di Proserpina’, particolare (‘The rape of Proserpina’, detail).

"I primi due minuti non riusciamo a parlare, nessuno dei due. Poi lei dice Non chiamarmi. Non chiamarmi, mi dice. Io sono più tranquilla, se non mi chiami.
Stai bene? le chiedo.
Sì, mi dice.
Stai bene con quello lì?
È una cosa più tranquilla. Meno bella, ma più tranquilla. Io sono una tranquilla, dice, voto per il Pds.
Allora le dico che se vuole non la chiamo più.
Tu non mi guardavi mai, mi dice. Non mi sembrava neanche che mi volessi bene. Non ci pensavi mai, a me, tu stavi bene da solo.
Non sono gli sguardi, le dico, non sono i regali. Non sono quelle, le cose. Io, quando tornavo a casa e vedevo la tua macchina verde con il cappello di paglia sul pianale di dietro, io ero contento. E questa frase, non so cosa mi succede, mi fa piangere come una vite tagliata."

Paolo Nori. Bassotuba non c’è

(via herotimeisgone)

(via biancaneveccp)

Backstage
'Jeux d'enfants' ('Love me if you dare', 'Amami se hai coraggio')

Backstage

'Jeux d'enfants' ('Love me if you dare', 'Amami se hai coraggio')

'The egg has a perfect shape even if it's laid from the ass' - 'L'uovo ha una forma perfetta, benchè sia fatto col culo'
Bruno Munari

'The egg has a perfect shape even if it's laid from the ass' - 'L'uovo ha una forma perfetta, benchè sia fatto col culo'

Bruno Munari